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Publicity


Publicity

Printed publications

2008

  • Magruder, M.T. "Virtual Me(s): Avatar embodiment in the console age" in G. Boddington, E. Cuisinier, D. Roland (eds), Virtual/Physical Bodies (centre des arts, FR), 34-41.
  • Beacham, Richard "Oh, to make boards to speak! There is a task!": Towards a Poetics of Paradata”, in Virtual Representations of the Past, eds. M. Greengrass and L. Hughes, pp. 171-178.

2007

  • Magruder, M.T. "Isolation to Population, Microcosm to Environment:
    The transition from VRML to Second Life as a platform for networked 3D arts practice" in J. Birringer, T.Dumke, K. Nicolai (eds) Die Welt als virtuelles Environment (TMA Hellerau, DE), 100-114.
  • Beacham, Richard "'Bearers of the Flame': music, dance, design, and lighting, real and virtual. The enlightened and still luminous legacies of Hellerau and Dartington.", in Performance Research. Vol. 11.4 Digital Resources Issue, 2007, pp. 81-94, with CD extensively illustrating with images, video, and 3D computer models.
  • Denard, Hugh “Towards a Consensus in 3d Visualisation” AHDS Newsletter Spring/Summer 2007, pp.4-5.

2006

  • Beacham, Richard, Review of F. Sear, Roman Theatres: An Architectural Study (Oxford 2006) in Journal of Roman Studies. Vol. 96, 2006,  359-361
  • Beacham, Richard; Denard, Hugh and Niccolucci, Franco “An Introduction to the London Charter”, in  The e-volution of Information Communication and Technology in Cultural Heritage (Archaeolingua, 2006), pp. 263-269.
  • Beacham, Richard, “Playing Places: The Temporary and the Permanent”, Chapter for The Cambridge Companion to Greek and Roman Theatre, ed. J. Michael Walton and Marianne Macdonald, 2006,  pp. 202-226.

2005

  • Beacham, Richard, “The Emperor as Impresario:  Producing the Pageantry of  Power”, Chapter for The Cambridge Companion to the Age of Augustus, ed. Karl Galinsky,  2005, pp. 151-174.
  • Beacham, Richard; Denard, Hugh with Blazeby, Martin “Roman Theatre and Frescos: Intermedial Research Trough Applied Digital Visualisation Technologies”, in Proceedings of the Eleventh International Conference on Virtual Systems and Multimedia, (Archaeolingua, 2005), pp. 223-233.
  • Blazeby, Martin, “Theatron - Theatre History in Europe” Interact, University of Bristol e-learning journal, Issue 31, pp14, Oct 2005
  • Beacham, Richard “Playing Places: The Temporary and the Permanent”, Chapter for The Cambridge Companion to Greek and Roman Theatre, ed. J. Michael Walton and Marianne Macdonald, 2006,  pp. 202-226.
  • Beacham, Richard and Hugh Denard "Lost in Space: the Virtual Worlds of Pompeian Painting and Performance" Co-author: Prof. R. Beacham. Proceedings of the Accordia Research Institute: The Italy Lectures 2003-2004.
  • Denard, Hugh "Popular Entertainment in Greece and Rome", Chapter for The Cambridge Companion to Greek and Roman Theatre, ed. J. Michael Walton and Marianne Macdonald.
  • Denard, Hugh "'At the foot of Pompey's Statue': Reconstructing Rome's Theatrum Lapideum" Proceedings of the Royal Society-British Academy Joint Symposium: 'Artefacts and Images of the Ancient World,' December 2000.

2004

  • Denard, Hugh "Performing the Past: the Virtual Revolution in Performance History" Performing Arts Resources: Proceedings of the Theatre Library Association Symposium: 'Performance Documentation and Preservation in an Online Environment', New York Public Library for the Performing Arts, Lincoln Center, October 2004.
  • Beacham, Richard “De la teoría a la práctica: La representación y recepción de Orfeo y Eurídice (1912-1913); Tristán e Isolda (1923); El Anillo del Nibelungo (1924-1925)”, in the Museum Exhibition Catalogue, Adolphe Appia Excenografías, Circula de Bellas Artes, Madrid, 2004,  105-130.

2003

  • Beacham, Richard and Hugh Denard "The Pompey Project: Digital Research and Virtual Reconstruction of Rome's First Theatre" Co-authored with Prof. R. Beacham. Refereed Proceedings of the ACH/ALLC Conference: 'Digital Media and Humanities Research' Journal of Computers and the Humanities Vol. 37 No.1: 2003, 129-140.
  • Beacham, Richard and Hugh Denard "Research Recreates Ancient Roman Virtual Reality with 21st-century 3-D Technology" Short article for University of Warwick Humanities Research Centre Bulletin, June 2003.
  • Blazeby, Martin "The Pompey Project" EFX Computer Art & Design Issue 37 Winter 2003
  • Denard, Hugh "Transforming Online Learning Paradigms" Interactions: Electronic Journal of the University of Warwick's Educational Technology Service, Volume 7 Number 2, April 2003,

2002

  • Beacham, Richard "Playing Around with Plautus, or 'How can I be expected to act with all these people looking at me?'". In Greek and Roman Drama: Translation and Performance. Beiträge zum antiken Drama, ed. John Barsby, Vol. 12, 2002, 79-98.
  • Beacham, Richard and Drew Baker, Martin Blazeby "Mind the Gap: Virtual Reality and Theatre History". In Interdisciplinary Science Reviews, Vol. 27:3, 2002, 230-240
  • Denard, Hugh "Virtuality and Performativity: Recreating Rome's Theatre of Pompey" Performing Arts Journal 70 (Vol.24 No.1: January 2002), 25-43.

2001

  • Denard, Hugh "Virtual Archaeology: Reconceiving Rome's Theatre of Pompey" British Academy Review (July - December 2001), pp.22-23.

2000

  • Beacham, Richard "'Eke Out Our Performance With Your Mind.' Reconstructing the Theatrical Past with the Aid of Computer Simulation", in Information Technology and Scholarly Disciplines, The British Academy, ed. T. Coppock, Oxford University Press, 2000, 131-154.
  • Beacham, Richard "Virtually there: Computer-assisted Reconstruction of Theatrical Spaces". For Theatron: Studien zur Geschichte und Theorie der dramatischen Künste. Special Edition: The Colston Symposium: New Approaches to Theatre Studies marking the fiftieth anniversary of the Department of Drama, Bristol University, 2000, 143-158.

1999 and earlier…

  • Beacham, Richard "Reconstructing Ancient Theatre with the Aid of Computer Simulation". Crossing the Stages: The Production, Performance and Reception of Ancient Theater Syllecta Classica Vol. 10, 1999.
  • Beacham, Richard "A Study Package on Italian Renaissance Theatre", University of Warwick, Audio Visual Publications, Spring 1990.
  • Beacham, Richard "A Study Package on Staging Roman Comedy", University of Warwick, Audio/Visual Publications, Spring, 1987.
  • Beacham, Richard "A Study Package on Staging Greek Tragedy", University of Warwick, Audio/Visual Publications, Winter, 1983.


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Online publications


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Print illustrations
  • “Key battles in the fall of the Roman republic” (Philippi 42BC) Ofsprey Publishing 2008 by SIMON SHEPPARD – large format 3D illustration by Martin Blazeby
  • “Revisualizing Visual Culture” - Aldershot: Ashgate, 2008 edited by Hazel Gardener - 3D illustrations by Martin Blazeby
  • “Seventy Great Cities in History” - edited by John Julius Norwich - Thames and Hudson, – large format 3D illustration by Martin Blazeby
  • Norton Anthology of Drama by Gainor 2008 - 3D illustrations by Martin Blazeby
  • "Greek Theatre in Context" Cambridge University Press 2008 - 3D illustrations by Drew Baker & Martin Blazeby
  • “The Storm - Shakespeare’s Globe Theatre”. P Oswald. 2005. 4 pages of 3D theatre illustrations by Martin Blazeby.
  • Various illustrations printed in national and international newspapers, including: The Times, The Sunday Times Magazine, The Guardian, The Independent, Coventry Evening Telegraph, Birmingham Post and The Scotsman.


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Video
  • Staging Greek Tragedy: Insights on Sites (University of Warwick,1984)
  • Staging Roman Comedy : Pompeian Painting and Plautus (University of Warwick,1985)
  • The Italian Renaissance Stage: The Idea and Image of Antiquity (University of Warwick,1986)
  • Revolution and Rebirth: Modern Theatrical Reform and its Debt to Antiquity (University of Warwick,1992)
  • Gluck's Orpheus and Eurydice (University of Warwick,1992)
  • Greek Drama from Ritual to Theatre video series: 3D animated fly-through sequences and graphic illustrations for Films for the Humanities, USA (2002)
  • Williford, Christa "Jacques Copeau and the Staging at the Vieux Colombier Theatre, 1913-1924" (University of Warwick Online Lectures by ELab, 2004).


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DVDs / CD-ROMS
  • “The history of Kew” DVD. Royal Botanic Gardens, Kew. November 2006
  • “Stages of Theatre - From the Greeks to Shakespeare” DVD. Films for the Humanities, USA. 2005.
  • University of Warwick's "Ancient Theatre and its Legacy" DVD series
  • Stages of Theatre: From the Greeks to Shakespeare CD-ROM (Theatron Ltd. and Warwick University, 2002) Marketed by Films, Videos, and CDs for the Humanities, Princeton, N.J.
  • “Greek Drama from Ritual to Theatre” Films for the Humanities, USA. 1999. 3D animated fly-through sequences of ancient theatres and graphic illustrations of classical maps.


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Television
  • “How Kew Grew!” Research TV, July 2006. Speaker: Martin Blazeby
  • “Another thing the Romans gave us - Virtual Reality!” Research TV, May 2003. Speaker: Richard Beacham
  • “Who Killed Julius Caesar” Channel 5 and Discovery, March 2003. Computer animated sequences and stills by Martin Blazeby of the Theatre of Pompey were created for television documentary.
  • “Future Files” Sky Television 2001. Interviews with Richard Beacham, Martin Blazeby, Hugh Denard with animated computer sequences shown.


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Kiosks
  • "How Kew Grew" Royal Botanic Gardens, Kew. (Permanent display)
  • "Virtual Shaftesbury Abbey" Shaftesbury Abbey Museum, Shaftesbury, Dorset. (Permanent display)
  • Virtual Roman Colchester: for Virtual Experience Company. (Permanent display)
  • Wordsworth’s Dove Cottage, for Virtual Experience Company. (Permanent display)
  • Kilmartin House Museum: Fort Dunadd
  • "Stages of Theatre" Theatre Museum Covent Garden, London.


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Websites


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Installations
  • Building Virtual Rome, World Expo on Ancient Rome in Virtual Reality. Markets of Trajan, Rome Sept - Nov 2005 (interactive exhibition dispaly)
  • Royal Shakespeare Company: data-projection installation
  • Warwick 4000: data-projection installation


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Papers, presentations and exhibitions

2009

  • “The Body and the Mask in Ancient Theatre Space” University of Leeds Classics Department Research Seminar by Martin Blazeby, March 2009.
  • "body>data>space and collaborators", by Michael Takeo Magruder at "Future of Sound / Future of
    Light", Goldsmiths, London, UK
  • "ART:DEBATE - Art and Politics", by Michael Takeo Magruder at QUAD arts centre, Derby UK

2008

  • "Michael Takeo Magruder and Susanne Berkenheger in conversation", "Post Me_New ID", International Conference, Festspielhaus Hellerau, Dresden, DE
  • "Rhythmic Space(s): Art and Research, Actual and Virtual Performances at the Real and Cyber Hellerau(s)", by Michael Takeo Magruder at "Theatrum Mundi", International Conference, Amsterdam, NL
  • "Vitruvian World", DRHA (Digital Resources for the Humanities and Arts), by Michael Takeo Magruder at University of Cambridge, UK
  • "Mixing Realities: Second Life as a Platform for Networked Art", by Michael Takeo Magruder at body>data>space "Open in Process", London, UK
  • "Visualisation within Internet Art: a sampling of current technologies and practice", by Michael Takeo Magruder at VizNET, International Conference, Loughborough, UK

2007

  • The Body and the Mask in Ancient Theatre Space: Perceptions, Coincidences and Diversions, A 2 day interdisciplinary conference organised by KVL, May 5th 2007
  • "Real-Time Expansion: the potentials of e-Science technologies within Contemporary Arts practice", by Michael Takeo Magruder at "New directions in e-Science and visual perceptions", EVA/JISC workshop, London, UK
  • "N-Dimensional processes within Contemporary Arts practice", by Michael Takeo Magruder at body>data>space "Open in Process", London, UK
  • "Visualisation within Internet Art: a sampling of current technologies and practice", by Michael Takeo Magruder at VizNET workshop, Birmingham, UK
  • "From Landscape to Datascape: Augmenting traditional forms of Visual Arts practice with real-time aesthetics, concepts und technologies", by Michael Takeo Magruder at "Theatre without Vanishing Points", International Conference, Festspielhaus Hellerau, Dresden, DE

2006

  • "Real-time Datascapes: Real-time Histories", by Michael Takeo Magruder at "Building the Wireframe: e-Science for the Visual Arts", Ikon Gallery, UK
  • "Michael Takeo Magruder: networked art practice", Coventry University, UK
  • "Data_Cosm", DRHA (Digital Resources for the Humanities and Arts), by Michael Takeo Magruder at Dartington College of Arts, UK
  • "Michael Takeo Magruder: networked art practice", University College Falmouth, UK

2005

  • “The Virtual Reality of virtual reality: visualising Roman temporary and permanent theatres in 3D” by Martin Blazeby, AMPAH Ancient History Conference, University of Leicester, March 2005.
  • "Locating and Exploiting Virtual Reality in the Humanities" Paper by Richard Beacham and Hugh Denard for Centre for Computing in the Humanities, King's College London, January 2005

2004

  • "Michael Takeo Magruder: information-based artforms", Shrewsbury Museum and Art Gallery, UK
  • "Using Roman Wall Paintings and Virtual Reality as an Aid to Contemporary Staging of Ancient Plays" Paper by Richard Beacham at American Philological Association 135th Annual Meeting, San Francisco, 2004.
  • "'Bearers of the Flame?' The THEATRON Project, Cultural Memory, and Contemporary Experimental Scenography and Performance Considered In the Light of Appia" Keynote Address by Richard Beacham in collaboration with Martin Blazeby at "Mind the Gap": Theatre Spaces / Media Spaces. Researching an Alternative Scenography, Symposium at Zentrum für Kunst und Medientechnologie, Karlsruhe, 2004
  • "Lost in Space: the Virtual Worlds of Pompeian Painting and Performance" Paper by Richard Beacham and Hugh Denard at Accordia Research Institute, 'The Italy Lectures 2003-2004', Institute of Classical Studies, University of London, March 2004.
  • Presentation by Richard Beacham and Hugh Denard on 3D Visualisation in Theatre Historical Research and Pedagogy to University of Warwick Arts Faculty Advisory Board, March 2004.
  • Presentation by Hugh Denard to University of Warwick group discussing design and pedagogical uses of proposed Student Centre, University of Warwick, January 2004.
  • Contribution by Hugh Denard to interdisciplinary research seminar on IT and the Arts for the University of Warwick Arts Faculty Research Forum, Spring 2004.
  • Presentation by Hugh Denard to EPOCH Archaeological Documentation Working Group, Prato, July 2004.
  • Presentation by Hugh Denard to COST G8 Working Group, Vienna, December 2004.
  • "The Historiography of Reconstruction and the Seventeenth-Century French Theatre" Paper by Christa Williford at National Taiwan University, Taiwan. 2004.

2003

  • Another thing the Romans gave us - Virtual Reality! Research TV, May 2003: documentary on the 3dVC's work on visualising Roman frescos, including interview with Richard Beacham, and 3D visualisations by Martin Blazeby.
  • "Reconstructing Renaissance Performance Spaces and the Theatron Project" Paper by Drew Baker, Richard Beacham, Martin Blazeby and Hugh Denard for the Centre for the Study of the Renaissance, University of Warwick, February 2003
  • "Out of the Lab: Commercialisation of Academic Research Projects" Paper by Drew Baker and Martin Blazeby at EVA: Electronic imaging and the Visual Arts Conference, University of London, July 2003
  • "Locating Roman Performance with the Aid of Virtual Reality" Paper by Richard Beacham at Leeds International Classics Seminar, University of Leeds, 2003.
  • "Picture This: Using Virtual Reality for Theatre-historical Teaching and Research" Paper by Richard Beacham at SCUDD: Standing Committee of University Departments of Drama, Annual Conference, University of Leeds, 2003.
  • "Using the Technologies of the Future to Explore the Past: Information Technology, Virtual Realty and Cultural Heritage". (A Joint Anglo-Russian Collaboration)" Paper by Richard Beacham at UNESCO Program Information for All: Development of National and International Information Policy", Petropavlovsk-Kamchatsky, Russia, 2003.
  • "Using Virtual Reality For Theatre-historical Cultural Heritage. A Joint Anglo-Russian Collaboration" Paper by Richard Beacham at Electronic Visual Arts (EVA) Conference, Moscow, 2003.
  • "Theatron, Skenographia, Pompey" Paper by and Richard Beacham and Hugh Denard for the Department of Classics, University of Warwick, February 2003
  • "Virtual Reality and the Ancient Theatre" Paper by and Richard Beacham and Hugh Denard for the Department of Classics, University of Galway, February 2003
  • "Picture This: New Vistas in ICT-Enhanced Teaching and Research" Paper by and Richard Beacham and Hugh Denard at Royal Irish Academy National Committee for Greek and Latin Studies, 2003 Colloquium: 'New Perspectives on Ancient History', February 2003
  • "Digs to Digital" Paper by Martin Blazeby for Coventry and District Archaeology Society, January 2003
    " Digital exhibition of development plans at Royal Shakespeare Company Open Day by Martin Blazeby and Drew Baker, Stratford-upon-Avon, May 2003
  • Computer animated sequences by Martin Blazeby for Channel 5 and Discovery Television documentary, Who Killed Julius Caesar? March 2003
  • Exhibition of 3dVC work at Warwick Magazine Launch by Martin Blazeby, London, March 2003
  • Presentation to HRH Duke of York by Martin Blazeby and Richard Beacham, Royal Visit to the University of Warwick, June 2003
  • "Introducing IT-related tasks and material into the curriculum" Presentation by Hugh Denard to Warwick Teaching Certificate, March 2003.
  • "'Transformations in Online Learning: ARCHES to Didaskalia" Paper by Hugh Denard at LTSN for Classics, History and Archaeology Colloquium, 'Theatre Histories: Greek and Roman Theatre and its Histories' De Montfort University, Milton Keyes, April 2003.
  • Poster presentation of 3D visualisation work, VR World Congress VI, Luxembourg, June 2003.
  • "Performing the Past: the Virtual Revolution in Performance History" Paper by Hugh Denard at Theatre Library Association, New York Public Library for the Performing Arts, Lincoln Center, October 2003.
  • "E-Tutoring: towards essential, interactive, integrated and reflective e-learning." Presentation by Hugh Denard at Centre for Academic Practice, University of Warwick, November 2003.
  • "Virtual Theatres: Theatrical Wall Paintings in Pompeii" Paper by Hugh Denard at Symposium on Ancient Drama, GITIS (Institute of Theatre Studies), Moscow, November 2003.
  • "Roman Theatre, Frescos, and Digital Visualisation: Intermedial Research" Paper by Hugh Denard for Classics Research Seminar, 'Speaking as a Citizen' Institute of Archaeology and Antiquity, University of Birmingham, November 2003.
  • "E-teaching in the School of Theatre Studies", Presentation by Hugh Denard at University of Warwick E-learning Away Day, December 2003.
  • "Seventeenth-Century French Stages" Videoconference by Christa Williford and DeAnna Toten Beard at Baylor University. 2003.

2002

  • "Virtual Manoeuvres in an Online World" Paper by Drew Baker and Martin Blazeby at IFTR: International Federation for Theatre Research Conference, University of Amsterdam, July 2002
  • "Mind the Gap: The Psychology of VR Depictions" Paper by Richard Beacham and Hugh Denard at King's College London Symposium on 'Visualization in the Humanities', March 2002.
  • "THEATRON" Paper by Martin Blazeby at EVA Electronic imaging and the Visual Arts Conference, Victoria & Albert Museum, London - July 2002
  • "THEATRON" Paper by Martin Blazeby at EVA: Electronic imaging and the Visual Arts Conference, Victoria & Albert Museum, London, July 2002
  • "Seeing Changes: transformations in research-led teaching and learning through Virtual Reality" Paper by Hugh Denard at LTSN: History, Classics and Archaeology Conference 'Using Images in Teaching' University of Leicester, 12 June 2002.
  • "Surrogate Lives: the e-conomy of the unreal" Brief paper by Hugh Denard and panel discussion at Digital Resources for the Humanities Conference, University of Edinburgh 10 September 2002.

2001

  • "Virtual Reality for Theatre History" Paper by Drew Baker, Richard Beacham and Hugh Denard for Centre for Computing in the Humanities, King's College London, January 2001
  • "Tools for Memory and Theatre Archaeology" Paper by Richard Beacham at Foundation for Competence and Knowledge, Stockholm, Sweden, 2001
  • "Digital Tools for Theatre, Aiding memory, and Interdisciplinary Communication" Paper by Richard Beacham at the National College for Film, Television, Radio and Theatre, Stockholm, Sweden, 2001
  • "From Stage to Screen: Computer Assisted Teaching of Theatre History" Paper by Richard Beacham at Contemporary Problems of Teaching Theatre History Conference, GITIS: Russian Academy of Theatre Arts, Moscow, 2001.
  • "The Reconstruction of Ancient Theatre Architecture Using Computer Modelling" Paper by Richard Beacham at the State Institute for Arts Studies, Moscow, 2001.
  • "New Developments in the use of Digital IT and VR Technologies for Research in Theatre History and Practice" Paper by Richard Beacham and Hugh Denard for Humanities Advanced Technology and Information Institute (HATII), University of Glasgow, May 2001
  • "The Pompey Project: Digital Research and Virtual Reconstruction of Rome's First Theatre" Paper by Richard Beacham and Hugh Denard at ACH/ALLC Conference 'Digital Media and Humanities Research', New York, June 2001
  • "Reconstructing the Past" Paper by Martin Blazeby at 3D Festival Conference, Copenhagen - October 2001

2000

  • "Reconstructing Ancient Temporary Stages Using Virtual Reality" Paper by Richard Beacham at Où courir? Organisation et symbolique de l'espace dans la comédie antique, Toulouse, 2000
  • "Playing Around with Plautus, or 'How can I be expected to act in front of all these people?'" Keynote address by Richard Beacham for Greek and Roman Drama. Translation and Performance, University of Otago, New Zealand, 2000.
  • "The Re-creation of the Theatre of Pompey in Rome" Paper by Richard Beacham at New Directions for Historical Computing Conference, Association for History and Computing, Queen Mary 2000.College, London, 2000.
  • "Virtual Reality and Theatre History" Paper by Richard Beacham at Kings College, London, 2000.
  • "Imaging Antiquity: Pompey's Theatre and Pompeian Paintings in the Digital Age" Paper by Richard Beacham and Hugh Denard for Department of Classics Research Seminar, University College Cork and Classical Association, University College Galway, December 2000
  • Exhibition of THEATRON Project to EC by Martin Blazeby at Information Society Technologies Exhibition, Nice, November 2000
  • "Good Practice in Distance-Learning Education" Presentation by Hugh Denard to University of Warwick's Centre for Academic Practice, February 2000
  • "'At the base of Pompey's Statue': Reconceiving Rome's Theatrum Lapideum" Paper by Hugh Denard at Royal Society and British Academy Joint Symposium 'Artefacts and Images of the Ancient World' December 2000
  • "Modeling Classical French Theatre Spaces" Paper by Christa Williford at French Classical Theatre Today Conference, University of Salford. 2000.

1991-1999

  • "Theatrical Reconstruction" Paper by Richard Beacham at York University, Toronto, 1990. University of Santa Barbara, California, 1994.
  • "Roman Wall-Painting and the Theatre" Papers by Richard Beacham at The Art Institute of Chicago and The University of Michigan, 1994.
  • "Pierre du Ryer's Clitophon and the Décor Simultané" Paper by Christa Williford for Midwest Theatre Colloquium, Ohio State University. 1994.
  • "The Palais Royal Project: An Overview of Work in Progress" Paper by Christa Williford for Renaissance/Baroque Theatre Seminar, American Society for Theatre Research Annual Meeting. 1995.
  • "'Eke Out Our Imperfections With Your Imagination.' Reconstructing the Theatrical Past with the Aid of Computer Simulation" Paper by Richard Beacham at The British Academy, London, 1996.
  • "Virtually there: Computer-assisted Reconstruction of Theatrical Spaces" Paper by Richard Beacham at The Colston Symposium "New Approaches to Theatre Studies" marking the fiftieth anniversary of the Department of Drama, Bristol University, 1997.
  • "Virtual Reality and Ancient Theatres" Paper by Richard Beacham at Edinburgh International Science Festival, 1997.
  • "Virtual Imaging as a Tool for the Research and Enhancement of Ancient Theatres" Paper by Richard Beacham at The Council of Europe's International Conference for the Employment of New Technologies for the Use and Conservation of Ancient Theatres, Verona, 1997.
  • "Reconstructing Ancient Theatre with the Aid of Computer Simulation" Paper by Richard Beacham at Crossing the Stages: The Production, Performance and Reception of Ancient Theater, Saskatoon, 1997.
  • "The Restoration of the Hellerau Festspielhaus: the Role of Computer Modelling" Paper by Richard Beacham at the School of Architecture, University of Miami, 1998.
  • "The Use of Multimedia as a Research Tool in Theatre History: The THEATRON Project" Paper by Richard Beacham at 22nd International SIBMAS Congress, (Société Internationale des Bibliothèques de Musées des Arts du Spectacle) London, 1998.
  • "The Theatre of Pompey Project" Paper by Richard Beacham at IFTR: International Federation of Theatre Research, 13th World Congress, Canterbury, 1998.
  • "New Technologies in the Enhancement of Ancient Places of Performance: the MINOTEC Programme and the Theatron Project" Paper by Richard Beacham at Days on European Heritage Skills and Networks, (E.U. DG X and the European Foundation for Heritage Skills, Council of Europe), Obidos, Portugal, 1998.
  • "Modeling Historic Theatre Spaces: A Computer Reconstruction of the Palais Cardinal Theatre, 1641" Paper by Christa Williford for International Federation for Theatre Research. 1998.
  • "The THEATRON Project: New Perspectives on Historical Theatre Spaces" Paper by Richard Beacham at the Prague Scenographic Quadrennale, Prague, 1999.


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News, reviews and articles

2009

  • "The Cornish Ordinalia Project” by the Cornish Language Partnership. February 2009, p.3. Illustrated article based on the pilot project headed by Drew Baker, KVL.

2008

2006-07

  • Update pending

2005

  • Building Virtual Rome, World Expo on Ancient Rome in Virtual Reality. Markets of Trajan, Rome Sept - Nov 2005 (interactive exhibition dispaly)
  • Interact, Issue 31, October 2005. Bristol University journal on e-learning
  • Shakespeare's Globe Theatre - production of The Storm (4 page article with images used in the performance guide)
  • CommUnicate (Warwick University magazine), February 2005 (front cover and centre-spread illustrated article)

2004

2003

  • EFX Computer Art & Design Magazine, Issue 37, winter 2003. (Three page article with 3D illustrations)
  • Digicult Information Publication no. 4, August 2003
  • Birmingham Post, 21 July 2003 (full page item, with photograph)
  • University of Warwick Humanities Research Centre Bulletin, June 2003 (brief article)
  • Archaeology Magazine US Sept/Oct 2003
  • La Recherche June 2003
  • Sunday Times May 2003
  • The Independent 29 May 2003
  • History Today.com 22 May 2003
  • Science Daily 22 May 2003
  • BBC World Service 21 May 2003
  • BBC News online web pages 21 May 2003
  • Der Spiegel 14 May 2003
  • Discovery Channel USA 11 May 2003
  • Channel 5 and Discovery Television, March 2003 (Computer animated sequences for the documentary 'Who Killed Julius Caesar')
  • The Scotsman 30 April 2003
  • New Scientist 26 April 2003
  • Coventry Citizen 24 April 2003
  • The Birmingham Post, 19 April 2003
  • Daily Mirror 18 April 2003
  • The Guardian 17 April 2003
  • Le Parisien 17 April 2003
  • Reuters 17 April 2003
  • Yahoo! France 17 April 2003
  • BBC online news 17 April 2003
  • Nature web site 16 April 2003
  • Technology Watch Report February 2003 (highly favourable case-study in Digicult publication for the EU Information Society Technologies Programme)
  • Films for the Humanities Brochure 2002 and 2003 (full front cover and item; circulation 6m)

1998-2002

  • Interdisciplinary Science Review, Vol 27. No 3. Autumn 2002. (Publication with illustrations)
  • Nckycctbo 15 April 2002 (long article in Russian publication.)
  • Chronicle of Higher Education's Daily Report for Subscribers 21 February 2004
  • Coventry Evening Telegraph 14 January 2002
  • Sky Television 2001 (Main feature on the Future Files programme)
  • De VolksKrant 30 June 2001 (full page item)
  • TrenchOne March 2001 (4-page, colour article in the Channel 4 Archaeology Magazine)
  • AHRB Annual Report 2000-1 (illustrated feature)
  • The Guardian 23rd October 2000 (page lead)
  • Main Athens paper 29 Nov 1998 (full page item)
  • London Times Interface Magazine Nov. 25, 1998 (full front cover and article)

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© King's Visualisation Lab, King's College London